In 2000 he was diagnosed with Hepatitis C and shortly before his initial hip injury in 2014, he required surgery to remove kidney stones. Hill battled health issues throughout the years. ![]() Last weekend, the band announced that Hill would miss some scheduled shows due to a “hip issue” and replaced him onstage with their longtime guitar tech. No cause of death was given, but Hill has struggled with hip issues since falling on the band’s tour bus in August 2014, followed by surgery and extensive physical rehab. Red Hot Chili Peppers musician Flea said on Twitter Hill was "a true rocker" and "a straight jammer." Always a gentleman from the days of us opening for them through the recent days of them opening for us," Stanley tweeted. "I don’t know what to say but 'Thank you' and 'Rest however you (expletive) well choose!'" Kiss frontman Paul Stanley called Hill "an icon." ![]() 'We are saddened by the news today that our Compadre. I will forever cherish our time on the road and on stage together." (CNN) Dusty Hill, the bearded bassist with American blues-rock band ZZ Top, has died, according to the band's official website. I was privileged to also call him a friend. ![]() In an emotional Instagram post, Kid Rock remembered Hill as "an all around tremendous human being, Texan and American." He wrote, "I loved Dusty Hill first as a player, singer, songwriter and performer. Kid Rock said Thursday we all "lost another one of the greats today, but rock n roll never forgets." Hill was 72 years old at the time of his death the cause of which is not known publicly and had played in ZZ Top since 1970, shortly after Billy Gibbons formed the band. Tributes poured in for Hill following the announcement. ZZ Top have decided that the best way to honor the legacy of late bassist Dusty Hill, whose death they announced yesterday, is to continue on with their current tour in his honor.
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In the UK, the death certificate is being changed to prevent relatives being able to question the cause of death. Medical staff and doctors are intimidated to prevent them speaking the truth about the fake pandemic. The illusion of a pandemic is stoked by doctors being forced to attribute virtually every death to “COVID”. The PCR test, which was never designed as a diagnostic test and gives up to 94% false positive results, is used by the oligarch- and government-controlled mainstream and social media platforms to terrorize populations for the purpose of obtaining obedience. Mortality is at a lower level than in previous years. There is and was no pandemic since “the curve” was flattening before the lockdown measures were put in place. To force-vaccinate populations with a non-medical vaccine containing population control mechanisms without their informed consent.To use the police, army and mercenaries to control populations.To grant immunity to government operatives to commit murder, rape and torture (UK).To intern dissenters in concentration camps.To impoverish people, including by destroying jobs.To separate, isolate and terrorize family members.To close down small and medium-sized businesses. ![]() Illegal legislation has been put in place in numerous countries: The illegal coronavirus measures were used by governments to accelerate the 5G rollout and install 60 GHz public access points in schools in order to target children. ![]() 5G has been widely installed terrestrially and in space to target and control populations. EMR can be used to simulate pathogens and overwhelm the immune system and cell phones may be being used to simulate “COVID-19 contagion” among co-workers or family members. It is a depopulation and military weapon and facilitates the introduction of technocracy and totalitarian control by enabling surveillance, facial recognition, 24/7 monitoring of individuals, mind and body control, and – in combination with vaccines and chemtrails containing nanoparticles – the torture or murder of targeted individuals. Hospitals are extensively equipped with 5G, putting patient’s lives at risk. Doctors receive no training on the risks to health of exposure to EMR and therefore misdiagnose EMR symptoms. Extensive military research over many decades was kept secret and regulatory agencies were co-opted in order to prevent the public learning about the extreme dangers of electromagnetic radiation. The symptoms of “COVID” are virtually identical to the symptoms of exposure to electromagnetic radiation (EMR). 5G is implicated in COVID-19 through correlations between the locations of the 5G rollout and morbidity/mortality,, as well as the prior administration of flu vaccinations in Wuhan and Milan. ![]() , Wireless technology suppresses the immune system. Tedros Adhanom Ghebreyesus, a terrorist and accused genocidist was appointed head of the World Health Organization in order to orchestrate the pandemic and facilitate the totalitarian takeover. This time, the World Health Organization changed its pandemic criteria in advance so that it could declare a pandemic on spurious grounds. Earlier attempts were made to engineer pandemics but none succeeded. A platform with 200 detailed levels is provided by the World Economic Forum led by Klaus Schwab, a technocrat and promoter of transhumanism, in order to provide detailed instructions on how the “COVID-19” pandemic is to be used to implement a global monetary reset and digital currency, technocracy and totalitarian government worldwide under the guise of socialism and environmentalism, with China as the model, and enslave humanity through a sinister vaccine conspiracy. “COVID-19” was long pre-planned in documents and simulation exercises emanating from the eugenicist Bill Gates and the Rockefeller Foundation. ![]() Each time a person stands up for an idea, or acts to improve the lot of others, or strikes out against injustice, s/ he sends forth a tiny ripple of hope, and crossing each other from a million different centers of energy and daring, those ripples build a current that can sweep down the mightiest walls of oppression and resistance. ![]() Low-IF VGA control is provided by the demodulator. An integrated power detector typically controls the RF VGA, although demodulator control is also possible. This architecture enables implementation of integrated lowpass filtering at baseband to eliminate the IF SAW filter. Then the tuner directly converts the RF signal to baseband and subsequently remodulates it to provide a balanced low-IF output centered at 2.048MHz. An RF switch selects either the VHF or the L-band path and the RF gain is adjusted in the RF VGA. An integrated variable passband of the VHF tracking filter is necessary because of the much wider percent bandwidth required in the VHF band. Similarly, the distant blockers are minimized for L-band by a low-loss, fixed passband, ceramic bandpass filter. A VHF tracking filter minimizes the affects of distant blockers. A single-antenna input is fed into the RF IN connector that supplies both VHF and L-band filter paths. The integrated tuner covers the input frequency ranges of 168MHz to 230MHz and 1452MHz to 1492MHz (VHF-III and L-band). The output of the demodulator is a MPEG-2 Transport Stream (TS). The low-IF signal enters the demodulator where it is sampled by an ADC, demodulated, and decoded. The tuner converts the RF input to a 2.048MHz low-IF output. The MAX2170/MAX2171¹ DAB/T-DMB tuner converts a desired RF broadcast channel to a low-IF frequency that is supplied to a demodulator.ĭAB/T-DMB Receiver Incorporating the MAX2170/MAX2171 Tuner Figure 1 shows a typical DAB/T-DMB receiver block diagram based on the MAX2170/MAX2171 direct-conversion to low-IF tuner and a demodulator/decoder. RF broadcast is in the VHF-III band and L-band using coded orthogonal frequency division multiplexing (COFDM). T-DMB uses the DAB standard for RF requirements. T-DMB (terrestrial digital multimedia broadcast) is a Korean standard for mobile TV and music. ![]() DAB is defined for mobile, stationary and portable receivers. Digital-audio broadcast (DAB) is a European digital-audio broadcast standard for Europe, Asia, and Canada. It's taught him a surprising amount about plants and we now have a garden (in real life) that he tends to daily. Also, it's been fun talking to him about zombies, since he knows they're make-believe, and his "what if a zombie were to." scenarios are hilarious and imaginitive. This has been an awesome tool to teach my son about money, saving money, and the importance of not buying useless little things if you're trying to save up for something better. Educational component: you earn coins throughout the game and can buy other plants with the money in your bank. My son and I have been playing this game for a few years now and we both still find it to be fun, challenging silliness. My boy was raised on Nightmare Before Christmas and the like, so naturally he knew the fun side of scary previous to his exposure to PvZ. I say this game is good for 5 year olds, but that is MY 5 year old, as well as our neighbor kids, all of whom picked up on this game around the same time. Second there is a shop where you could buy things, and third the game helps kids learn strategy. zombies is theīest game ever," says 3rd grader Sebastian. zombies is a great gameįor kids." Says 3rd grader Gjon. That's where you break vases to stop zombies from entering your house. That's where you help zombies go through plants so they eat the brains. Kids can learn strategy by planting plants to stop zombies from entering your house. That plant helped me win twenty levels straight! One time I went into the shop and I bought a bonus plantĬalled the Gattling Pea. With game money you buy things like the night garden, the aquarium garden, and extra plants. Parents don't spend their own money buying things in the game. There is a shop where you could buy things. Level you get new plants and zombies that are more powerful! If the zombies enter your house they will eat your brains! After you beat a For example there are plants shooting zombies. Second, there is a shop where you could buy things, and third the game The reasons this video game is great are P.V.Z. In this video game you plant plants to stop zombies from entering your house. is the most action packed game of the year! My son will get to a level he feel like is too hard, and quits for a while (which is just fine by me, because he's actually organically limiting his screen time, without me having to breathe down his neck about it)! I sit with him while he plays, because I don t want him to "accidentally" make a purchase or click on a "watch this video to get this perk" bonuses.ĭo you like video games? Well than P.V.Z. As the player advances, the game gets progressively more difficult, which may be why Common Sense rated it for older children. Zombies is definitely cartoonish in the way the zombies are destroyed, they actually fall apart in a rather comical way. He said, regardless of age recommendations on games, if any "violence" is cartoonish and nature and not directed at people, he tends to be more laid back about it. One of the parents had a really great perspective. What I learned, was that it was rather benign, and really fun to play. My 6 y/o insisted all the boys at school were playing it and so I asked around to some of the other parents. I was hesitant to allow my 6 y/o son to play this game, after reading on Common Sense it was more geared towards older children. ![]() After that, all possible customization opportunities will open for you: change blocks, enter your data for calculations, and much more. There you can immediately make a copy of the selected template. 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Now you can get more tropical version of the sodas with two (!!!) new varieties of Baja goodness. Fans of PepsiCo’s Mountain Dew Baja Blast are as about serious as you can get about a soda. ![]() Bassist Mark Evans would later muse that the amount “would have bought two Strats”. Scott left the studio that day and returned with a set of bagpipes purchased at a Park Street music store at what was an extortionately high price (AU$479) at the time. While jamming on new songs in the studio, co-producer George Young (the older brother of Angus and Malcolm) recalled that Bon Scott had once been in a pipe band and encouraged the band to experiment with incorporating bagpipes into the song. However, the band accepts these hardships as natural on the path to stardom, saying that "It's a long way to the top/If you wanna rock 'n' roll". The song chronicles the hardships endured by a rock band on tour, such as being robbed, assaulted, stoned and cheated by a greedy agent. Problems playing this file? See media help. The second single of High Voltage demonstrates a combination of the bagpipes with more traditional rock instruments while the lyrics discuss the perils of being in a rock band. In January 2018, as part of Triple M's "Ozzest 100", the 'most Australian' songs of all time, "It's a Long Way to the Top (If You Wanna Rock 'n' Roll)" was ranked number 5. Brian Johnson, who replaced Scott as AC/DC's lead vocalist after Scott's death in 1980, does not perform it, out of respect for his predecessor. The full version of the song is also on the Volts CD of the Bonfire box set, released in 1997. The song is also the first track on the internationally released High Voltage (May 1976). The original recording is in B-flat major, but it was played live in A major. The song combines bagpipes with hard rock instrumentation in the middle section of the song there is a call and response between the bagpipes and guitar. It is the first track of the group's second album T.N.T., released only in Australia and New Zealand on 8 December 1975, and was written by Angus Young, Malcolm Young and Bon Scott. " It's a Long Way to the Top (If You Wanna Rock 'n' Roll)" is a song by Australian hard rock band AC/DC. Let’s just hope this entire lineup is still standing once it ends." It's a Long Way to the Top (If You Wanna Rock 'n' Roll)" Whenever the pandemic is over, expect one hell of a tour. This is the closest thing possible to the Back in Black lineup now that Malcolm is no longer with us. It’s a joyous thing to see not just him back in the band, but Rudd and Williams back where they belong, too. Johnson has been the voice of AC/DC since that day. Successfully carrying on without Scott would have seemed absurd to fans back then, but any doubters were silenced the second Back in Black arrived in 1980. This is shortly after Williams replaced bassist Mark Evans, and less than three years before frontman Bon Scott died. Check out this video of “TNT” from at London’s Golders Green Hippodrome in October 1977. But lineup changes are nothing new for AC/DC. “I feel in my gut it’s the right thing.”īy the end of the tour, Angus Young was the only classic-era member still committed to the band. “Losing Malcolm, the thing with Phil and now with Brian, it’s a changed animal,” he said in 2016. Axl Rose came in to save the tour, but Cliff Williams had had enough and decided the tour would be his last. ![]() He left the tour with just 20 shows to go when he suffered hearing loss that made it hard for him to sing properly. The next member to fall into the chocolate river was Brian Johnson. ![]() My work with Eric Lewis through ICASP, now IICSI was formative and inspirational. The many research projects that I conducted throughout my PhD led to collaboration and study with some remarkable people, all of whom were influential in the development of this work. I would also like to thank Lisa Barg, David Bracket, Peter Schubert, Melvin Backstrom, Paul Rushka, and Laura Risk for their guidance and friendship during my time at McGill. I'm grateful to Patricia Shehan Campbell for her time and words of encouragement, as well as to Francis Dubé for his insightful reflections. I am deeply appreciative of the insightful editing and encouragement of my committee: thank you to Lisa Lorenzino, Ichiro Fujinaga, and Eric Lewis for their helpful suggestions. My committee from McGill was outstanding in its support throughout the writing of this work. Financial support from the Social Sciences and Humanities Research Council in Canada and the American Association of University Women made this work possible. I am grateful for the generosity of the music department at McGill University, with special thanks to Eleanor Stubley. v ACKNOWLEDGEMENTS This project would have been impossible without the encouragement, involvement, and passion of so many different people. Les résultats démontrent le potentiel du cadre d'applications pour l'AMCT afin d'améliorer positivement l'apprentissage de la musique créative. Dans la seconde phase, six élèves de niveau collégial ont rapporté une confiance en eux plus élevée après avoir utilisé le prototype pendant quatre semaines. Il a été constaté que le prototype incitait favorablement les utilisateurs à apprendre de nombreux objectifs clés liés à l'enseignement de l'improvisation. Lors de la première phase, sept enseignants de musique et huit élève-instrumentistes ont participé au test utilisateur. L'efficacité du logiciel a été testée à l'aide d'une étude réalisée en deux phases sur des élève-instrumentistes au collège et sur des enseignants expérimentés. Le logiciel est à la fois un outil qui permet de développer la compréhension musicale et d'explorer une liberté créative en musique. Par conséquent, un prototype d'application a été créé pour iPad et iPhone incorporant les fonctionnalités du cadre d'applications pour l'AMCT. ![]() Un examen des technologies existantes révèle un manque d'outils disponibles favorisant l'exploration de la musicalité de façon créative. Une analyse théorique de l'improvisation dans l'enseignement ainsi que de la technologie pour apprendre à improviser fournissent une base pour l'expérimentation créative. Cette dissertation décrit une approche en recherche-création pour le développement d'un cadre d'applications pour le logiciel Apprentissage de la Musique Créative avec la Technologie (AMCT), qui met l'accent sur un processus d'apprentissage pour interagir de manière créative avec la musique. iv Improviser : Recherche-création d'un cadre d'applications et d'un prototype logiciel pour l'apprentissage de la musique créative avec la technologie RESUME Des paradigmes d'apprentissages novateurs se doivent d'être explorés afin que l'éducation musicale réponde aux aptitudes et aux exigences de l'apprenant au 21 e siècle. Results suggest there is a strong potential for the framework for CMLT to positively enhance creative music learning. In the second phase, six middle school students reported increased confidence after using the prototype for four weeks. In the first phase, seven expert music teachers and eight middle school instrumental students participated in user testing, revealing that the prototype effectively engaged users in learning many key objectives of improvisation pedagogy. The software is at once a tool for developing musical understanding and for exploring creative freedom in music.Ī two-phased study of middle school instrumentalists and expert teachers examined the effectiveness of the prototype. As a result, a prototype application was built for iPad and iPhone based on the principles of the CMLT framework. An examination of existing technologies reveals a lack of available tools for cultivating a creative disposition to musicianship. Theoretical analysis of improvisation pedagogy and technology for learning to improvise provide the foundation for creative experimentation. 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(The timer runs in 15-minute intervals so that the system only needs to wake once every 15 minutes to wake up the apps that have requested TimerTriggers-which saves power.) The built-in timer for Universal Windows Platform (UWP) apps that target the desktop or mobile device family runs background tasks in 15-minute intervals. If OneShot is set to false, FreshnessTime specifies the frequency at which the background task will run. If OneShot is set to true, the first parameter ( FreshnessTime) specifies the number of minutes to wait before scheduling the background task. The second parameter, OneShot, specifies whether the background task will run only once or keep running periodically. Create a time triggerĬreate a new TimeTrigger. Or, follow the steps in Create and register an in-process background task or Create and register an out-of-process background task to create one. If you don't already have a background task, there is a sample background task at BackgroundActivity.cs. This topic assumes that you have a background task that needs to run periodically, or at a specific time. ![]() ![]() See Scenario4 in the Background activation sample to see an example of how to implement the time triggered background task described in this topic. Learn how to use the TimeTrigger to schedule a one-time background task, or run a periodic background task. |
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